Actress cum director, Stephanie Linus, was recently accused of copyright infringement for her movie, Dry, which focuses on vesicovaginal fistula condition and underaged marriage among young women. The accusation was made by Daniella Madudu who accused her of appropriation of an “original literary work” that was allegedly stolen from her by Ms. Joy Ndidi.
Linus has responded to the accusation by releasing a statement.
Read the statement below:
“Character assassination is at once easier and surer than physical assault; and it involves far less risk for the assassin. It leaves him free to commit the same deed over and over again, and may indeed win him the honors of a hero in the country of his victims.” – Alan Barth (1906 – 1979)
On the 19TH of May, 2017, I received a letter from one Rafiu Bello acting on behalf of one Daniella Madudu accusing me of appropriation of an “original literary work” that was allegedly stolen from her by Ms. Joy Ndidi (an allegation that has been roundly refuted), copyright infringement and all manner of impropriety as relates my movie ‘DRY’ and demanding that I credit this Daniella Madudu with ownership of my work, pay the sum of N60,000,000 (SIXTY MILLION NAIRA) and royalties; or face a “campaign of calumny”(which by the way is already afoot) both home and abroad.
Naturally, my initial reaction was to ignore it as something so ludicrous as to be able to find firm footing in the mind of any normal or rightly thinking individual and only routinely passed it onto my lawyers at a later date and thought nothing more of it. They (my lawyers), as a matter of course responded to it.
That these persons have since gone ahead with their premeditated plan to defame me upon allegations they know to be baseless, spurious and glaringly untrue is no longer news as the media is presently awash with the ‘fruit of their labour’ and ordinarily I would not have dignified it with a response but for the sake of posterity and lest my silence be termed an admission of any wrongdoing whatsoever, I will simply proceed to state the facts here, viz:
• That since my undergraduate days at the University of Calabar, I have been very passionate and deeply concerned about Vesico Vaginal Fistula (VVF), the plight of the girl-child and sexual violence against the female gender.
• That in 2006 whilst still on crutches as a result of my ghastly automobile accident from the year before, I volunteered with the Mercy Ships Aberdeen West Africa Fistula Centre (as it then was) in Sierra Leone all out of my own personal savings as this was and will always be a cause very dear to my heart.
• That in 2007/08 I visited the Mariam Abacha Women and Children’s Hospital, Sokoto where I personally made donations to the victims of VVF.
• That in 2008 I was invited by The United Nations and the Government of Liberia to participate in the anti-rape campaign, Stop Rape and the Liberia Fistula Project.
• That through my non-governmental organisation, The Extended Hands Foundation and our numerous partners, over 150 women and young ladies across the country have successfully undergone reconstructive surgery and have gone on to live wholesome fulfilling lives free of the stigmatization and the sheer pain and discomfort that comes with VVF.
• That I registered the script for my movie ‘DRY’ with The United States Copyright Office on November 28TH, 2011.
• That I registered the script for my movie ‘DRY’ with The Nigerian Copyright Commission on July 27TH, 2012.
• That my movie ‘DRY’ was shot in the months of August and September, 2012 in Nigeria.
• That the unofficial trailer for ‘DRY’ was released to lend my voice in support of the ‘Child Not Bride’ campaign.
• That Ms. Joy Ndidi’s first ever contact with me was in 2013 (DRY was already a finished project at this time) and it was not until June 2013 that she was officially engaged to provide content and ad-placement for my personal blog, ‘The Stephanie Daily’ for all of six (6) months and this she did from the comfort of her home.
• That the so called “original literary work” of the Daniella Madudu, I was supposed to have appropriated in my movie has never been registered at The Nigerian Copyright Commission even as we speak.
These are easily verifiable facts that any half-hearted attempt at investigative and responsible journalism would have turned up if indeed uncovering the truth for the benefit of the public was the primary motive behind the malicious publication.
It is truly a sorry pass we have come to as society when all it takes to ruin a person’s reputation overnight is the spewing forth of mere accusations just because he or she happens to be in the public eye.
I choose to speak out and address this vice that has suddenly become the norm in our society and the acceptable standard of modern day “journalism”. We used to be better than this as a people; my prayer is that we still are.
DRY is more than just a movie; it is a righteous cause for voiceless women and young girls who have suffered the most debilitating kind of emotional and physical abuse, and anyone who seeks to denigrate this painful sacrifice with a smear campaign, with the intent to make gain or attract cheap publicity, simply lacks wisdom.
I want to take this opportunity to thank all those that have shown tremendous support and spoken up these past few days to end these words the same way it began.
“An error does not become truth by reason of multiplied propagation, nor does the truth become error because nobody sees it. Truth stands, even if there be no public support. It is self-sustained.” Mahatma Gandhi.
